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One of the most common questions from fellow photographers is about the types of color films I use and why I use them. I figured this would be a good subject to write about to provide some insight on film types. The question frequently comes from someone who may have just gotten their first film camera and wants to know what kind of film to use for landscapes, as well as those who are committed to one film type but curious about trying something new…
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“Sunflower Sunset” - Backlit scenes are no trouble with color negative film. A filter was left off for this image to avoid flare troubles with the sun. The foreground (also the important part) was average metered and the sky ignored when taking the meter reading. Ektar 100 4x5, 210mm lens, 2 seconds at f45, no filters.
Color negative film has increasingly become a larger part of my workflow over the last several years and with good reason: the flexibility of the stuff is just phenomenal. It can be used to capture all the delicate subtleties of a low contrast scene as well as landscape scenes with intense dynamic range. If you don’t know what you will be getting into when you head out for a shoot it’s an excellent choice because it can handle anything you throw at it, but that doesn’t mean it can’t be used for a specific purpose or aesthetic either. Color negatives are the film type that I get the most questions about, mostly because people see such a wide variety of looks coming out of the same film types…
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This one is for you DSLR scanning folks, or those who want more control out of your film scanner. It’s been just about three years now that I’ve been using a drum scanner which has drastically changed my scanning process with color negative film. While the software for this scanner is incredibly powerful, it falls apart when it comes to inverting color negatives. This means that I had to develop a method to do this on my own that can work for every image I throw at it. While I love sharing my findings with the film community, I wasn’t sure that a technique I developed for drum scanning would be helpful to the average shooter. It turns out that this manual inversion can work no matter what you use to scan your film with…
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"Corn Lilies in the Rain" - A fresh image from the Tango drum scanner
Many of you who follow me on social media have heard that I acquired a drum scanner about a year ago. I spent much of the last year learning how to properly wet mount film and operate this beast of a machine. Now after scanning about a hundred sheets I now have some results to share...
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